31 quotes
The Illusion of Self in Patrick Bateman
Patrick Bateman
I live in the American Gardens Building on West 81st Street on the 11th floor. My name is Patrick Bateman. I'm 27 years old. I believe in taking care of myself, and a balanced diet and a rigorous exercise routine. In the morning, if my face is a little puffy, I'll put on an ice pack while doing my stomach crunches. I can do a thousand now. After I remove the ice pack I use a deep pore cleanser lotion. In the shower I use a water activated gel cleanser, then a honey almond body scrub, and on the face an exfoliating gel scrub. Then I apply an herb-mint facial masque which I leave on for 10 minutes while I prepare the rest of my routine. I always use an after shave lotion with little or no alcohol, because alcohol dries your face out and makes you look older. Then moisturizer, then an anti-aging eye balm followed by a final moisturizing protective lotion. There is an idea of a Patrick Bateman. Some kind of abstraction. But there is no real me. Only an entity. Something illusory. And though I can hide my cold gaze, and you can shake my hand and feel flesh gripping yours, and maybe you can even sense our lifestyles are probably comparable, I simply am not there.
Deteriorating Relationship and Dark Confessions
Bateman
I think, um, Evelyn, that we've, uh, lost touch.
Evelyn
Why? What's wrong?
Bateman
My need to engage in homicidal behavior on a massive scale cannot be corrected, but, ah, I have no other way to fulfill my needs. I'm fucking serious. It's fucking over, us, this is no joke. I don't think we should see each other anymore.
Evelyn
But your friends are my friends and my friends are your friends. I really don't think it would work. You have a little something...
[fusses with his collar]
Bateman
I know that your friends are my friends and, uh... I've thought about that. You can have em.
Evelyn
What about the past? Our past?
Bateman
We never really shared one.
Evelyn
You're inhuman.
Bateman
No...I'm in touch with humanity. Evelyn, I'm sorry, I just, uh...You're not terribly important to me.
Empathy and Self-Preservation in Music
Bateman
Did you know that Whitney Houston's debut LP, called simply Whitney Houston, had four number one singles on it? Did you know that, Christie?
Elizabeth
You actually listen to Whitney Houston? You own a Whitney Houston CD? More than one?
[laughing]
Bateman
It's hard to choose a favorite among so many great tracks, but "The Greatest Love of All" is one of the best, most powerful songs ever written about self-preservation, dignity. Its universal message crosses all boundaries and instills one with the hope that it's not too late to better ourselves. Since, Elizabeth, it's impossible in this world we live in to empathize with others, we can always empathize with ourselves. It's an important message, crucial really. And it's beautifully stated on the album.
[ignoring her]
A Tense Encounter Between Waiter and Bateman
Waiter
Would you like to hear today's specials?
Bateman
Not if you want to keep your spleen.
Violent Obsession and Disturbing Intentions
Patrick Bateman
You're a fucking ugly bitch. I want to stab you to death and play around with your blood.
[to a bartender, who doesn't seem to notice]
Club Scene Tension Over Sweetener Debate
Bryce
It's a fucking milligram of sweetener. I want to get high off this, not sprinkle it on my fucking oatmeal.
[after snorting "cut" cocaine]
Bateman
Definitely weak, but I have a feeling that if we do enough of it we'll be okay.
Club Patron
Will you keep it down? I'm trying to do drugs!
[leans over from another booth]
Bryce
Fuck you!
Bateman
Calm down. Let's do it anyway.
Bryce
Yes, you're right. That is, if the FAGGOT in the next stall thinks it's okay!
Club Patron
FUCK YOU!
Bryce
HEY FUCK YOU! Sorry, dude. Steroids. Okay, let's do it.
Relief Overcomes Anxiety in Social Situations
Patrick Bateman
I'm on the verge of tears by the time we arrive at Espace, since I'm positive we won't have a decent table, but we do. The relief washes over me in an awesome wave.
Surface vs. Substance in Deception
Bryce
] on TV] How can he just stand there and lie like that? He makes himself out to be a harmless old codger, but inside... inside...
[watching [[Ronald Reagan]
Bateman
... "but inside" doesn't matter.
[internal monologue]
McDermott
Inside", yes, "inside..." - believe it or not, Bryce, we're actually listening to you...
Bryce
Come on, Bateman, what do you think?
Bateman
Whatever.
[Completely uninterested]
Returning Videotapes as a Priority
Patrick Bateman
I have to return some videotapes.
[repeated line]
Struggle with Identity and Inner Turmoil
Patrick Bateman
I have all the characteristics of a human being: flesh, blood, skin, hair; but not a single, clear, identifiable emotion, except for greed and disgust. Something horrible is happening inside of me and I don't know why. My nightly bloodlust has overflown into my days. I feel lethal, on the verge of frenzy. I think my mask of sanity is about to slip.
Discussion on the "Yale thing" concept
Bateman
He was into that whole Yale thing.
[about Paul Allen]
Donald Kimball
Yale thing?
Bateman
Yeah, Yale thing.
Kimball
What do you mean "Yale thing"?
Bateman
Well, for one thing, I think he was probably a closet homosexual who did a lot of cocaine. That whole Yale thing.
Frustration in Communication
Patrick Bateman
Listen, I CANNOT UNDERSTAND YOU! This is crazy! You're a fool, I can't cope with this STUPID BITCH-EE! UNDERSTAND?!
Music Preferences and Artistic Evolution
Bateman
You like ]?
[[w:Huey Lewis and the News|Huey Lewis and the News]
Paul Allen
They're OK.
Bateman
Their early work was a little too new wave for my tastes, but when ] came out in 83, I think they really came into their own, commercially and artistically. The whole album has a clear, crisp sound, and a new sheen of consummate professionalism that really gives the songs a big boost. He's been compared to ], but I think Huey has a far more bitter, cynical sense of humour.
[[w:Sports (Huey Lewis and the News album)|Sports; [w:Elvis Costello|Elvis Costello]
Paul Allen
Hey Halberstram.
Bateman
Yes, Allen?
Paul Allen
Why are there copies of the Style section all over the place, d-do you have a dog? A little chow or something?
Bateman
No, Allen.
Paul Allen
Is that a rain coat?
Bateman
Yes it is! In 87, Huey released this, ], their most accomplished album. I think their undisputed masterpiece is "]", a song so catchy, most people probably don't listen to the lyrics. But they should, because it's not just about the pleasures of conformity, and the importance of trends, it's also a personal statement about the band itself. Hey Paul!
[[w:Fore!|Fore!; [w:Hip to be Square|Hip to be Square; rapidly, as if agitated; raises axe above head]
Bateman
TRY GETTING A RESERVATION AT DORSIA NOW YOU FUCKING STUPID BASTARD! YOU FUCKING BASTARD!
[as he begins to hack Allen to death with the axe]
Discussion of Business Cards and Aesthetics
Bateman
New card. What do you think?
McDermott
Whoa-ho, very nice. Look at that.
Bateman
Picked them up from the printer's yesterday.
Van Patten
Good coloring.
Bateman
That's "Bone". And the lettering is something called "Silian Rail".
Van Patten
It's very cool, Bateman... but that's nothing. Look at this.
Bryce
That is really nice.
Van Patten
Eggshell", with "Romalian" type. What do you think?
Bateman
Nice.
[beat]
Bryce
Jesus. That is really super. How'd a nitwit like you get so tasteful?
Bateman
I can't believe that Bryce prefers Van Patten's card to mine.
[internal monologue]
Bryce
But wait, you ain't seen nothing yet.
Bryce
Raised lettering, "Pale Nimbus". White.
Bateman
Impressive. Very nice. Let's see Paul Allen's card.
[beat]
Bateman
Look at that subtle off-white coloring. The tasteful thickness of it. Oh my God... it even has a watermark.
[internal monologue]
Carruthers
Something wrong? Patrick? You're sweating.
Business Card Opinions Among Friends
Luis
Hi, guys. I wanna get your opinion on something. It's my business card. I decided to get a new one, too.
McDermott
Very nice.
Van Patten
Very nice, Luis.
Luis
Thank you.
[shows it to Bateman, who does not respond. Luis then leaves]
Van Patten
Listen, what about dinner...
Bateman
Is that all you ever have to contribute, Van Patten? What about fuckin dinner?!
McDermott
Cheer up there, baby. What's the matter? No shiatsu this morning?
[claps Bateman on the shoulder]
Bateman
Touch me like that, and you'll draw back a stump.
[shoves McDermott's hand away]
McDermott
Hold on there, little buddy--!
Luis
Patrick...why here? I've seen you looking at me. I've noticed your...hot body. Don't be shy. You can't imagine how long I've wanted this - ever since that Christmas party - Arizona 206, you know, the one where you were wearing that red striped paisley Armani tie...
[laughs; traces a hand along Bateman's cheek, before pressing a finger to his lips and nose; chuckles, then moves in close]
Luis
I want you. I want you, too!
Luis
Patrick!
Bateman
WHAT IS IT?!
Luis
...Where are you going?
Bateman
I've gotta return some videotapes.
[leaves]
Confessions of a Disturbed Serial Killer
Patrick Bateman
Howard! It's Bateman, Patrick Bateman. You're my lawyer so I think you should know I've killed a lot of people. Some escort girls in an apartment uptown... uh... some homeless people maybe five or ten. Uh... Some NYU girl I met in Central Park, I left her in a parking lot behind some donut shop, I killed Bethany, my old girlfriend, with a nailgun and... some man, some old faggot with a dog. Last week I killed another girl... with a chainsaw... I had to, she almost got away. And there... was someone else there I don't remember, maybe a model, but sh- she's dead, too. And, uh- PAUL ALLEN! I killed Paul Allen with an axe! In the face! His body is dissolving in a bathtub in Hell's Kitchen! I don't want to leave anything out here — I guess I've killed maybe... 20 people... maybe 40! Uh- huh huh-I have uh... tapes of a lot of it. Some of the girls have seen the tapes — I even... I ate some of their brains and I tried to cook a little. Tonight, I uh- just had to kill a lot of people! And I'm not sure I'm gonna get away with it... this time. I mean... I mean I guess I'm a pretty sick guy. So, if you get back tomorrow, I may show up at Harry's Bar. So, you know, keep your eyes OPEN. Okay, bye.
The Futility of Self-Reflection
Patrick Bateman
There are no more barriers to cross. All I have in common with the uncontrollable and the insane, the vicious and the evil, all the mayhem I have caused and my utter indifference toward it, I have now surpassed. My pain is constant and sharp and I do not hope for a better world for anyone; in fact, I want my pain to be inflicted on others. I want no one to escape. But even after admitting this, there is no catharsis. My punishment continues to elude me, and I gain no deeper knowledge of myself; no new knowledge can be extracted from my telling. This confession has meant nothing.
Dissection and Insanity in American Psycho
Patrick Bateman
I like to dissect girls. Did you know I'm utterly insane?
Patrick Bateman's Musical Analysis and Commands
Patrick Bateman
Do you like ]? I've been a big ] fan ever since the release of their 1980 album, ]. Before that, I really didn't understand any of their work. Too artsy, too intellectual. It was on Duke where, uh, Phil Collins presence became more apparent. I think ] was the group's undisputed masterpiece. It's an epic meditation on intangibility. At the same time, it deepens and enriches the meaning of the preceding three albums. Christy, take off your robe. Listen to the brilliant ensemble playing of Banks, Collins and Rutherford. You can practically hear every nuance of every instrument. Sabrina, remove your dress. In terms of lyrical craftsmanship, the sheer songwriting, this album hits a new peak of professionalism. Sabrina, why don't you, uh, dance a little. Take the lyrics to "]". In this song, Phil Collins addresses the problems of abusive political authority. "]" is the most moving pop song of the 1980s, about monogamy and commitment. The song is extremely uplifting. Their lyrics are as positive and affirmative as, uh, anything I've heard in rock. Christy, get down on your knees so Sabrina can see your asshole. Phil Collins solo career seems to be more commercial and therefore more satisfying, in a narrower way. Especially songs like "]" and, uh, "]". Sabrina, don't just stare at it, eat it. But I also think Phil Collins works best within the confines of the group, than as a solo artist, and I stress the word artist. This is "]", a great, great song, a personal favorite.
[to two prostitutes; [w:Phil Collins|Phil Collins; [W:Genesis (band)|Genesis; [w:Duke (album)|Duke; [w:Invisible Touch|Invisible Touch; [w:Land of Confusion|Land of Confusion; [w:In Too Deep (song)|In Too Deep; [w:In the Air Tonight|In the Air Tonight; [w:Against All Odds (Take a Look at Me Now)|Against All Odds; [w:Sussudio|Sussudio]
Perceptions of Personality and Attractiveness in Dating
McDermott
If they have a great personality and they're not great looking... then who fucking cares?
Bateman
Well, let's just say hypothetically, OK? What if they have a great personality?
Bateman
I know, I know. There are no girls with good personalities.
[in unison with the rest]
Van Patten
A good personality consists of a chick with a little hard body, who will satisfy all sexual demands without being too slutty about things, and who essentially will keep her dumb fucking mouth shut.
McDermott
The only girls with good personalities who are smart or maybe funny or halfway intelligent or talented, though god knows what the fuck that means, are ugly chicks.
Van Patten
Absolutely.
McDermott
And this is because they have to make up for how fucking unattractive they are.
Bateman
Do you know what Ed Gein said about women?
Van Patten
Ed Gein? Maitre d at Canal Bar?
Bateman
No, serial killer, Wisconsin in the fifties.
McDermott
So what did Ed say?
Bateman
When I see a pretty girl walking down the street I think two things. One part of me wants to take her out and talk to her and be real nice and sweet and treat her right.
McDermott
And what did the other part think?
Bateman
What her head would look like on a stick.
[chuckles]
A Dark Conversation on Interests
Bateman
Ask me a question.
Club girl
So, what do you do?
Bateman
I'm into, uh, well, murders and executions, mostly.
Club girl
Do you like it?
Bateman
Well, it depends. Why?
Club girl
Well, most guys I know who are in Mergers and Acquisitions really don't like it.
Obsession with Appearance and Perfection
Patrick Bateman
Well, you can always be thinner... look better.
Threat of Violence and Intimidation
Patrick Bateman
If you don't shut your fucking mouth, I will kill you.
Obsessing Over Status and Wealth Disparity
Patrick Bateman
There is a moment of sheer panic when I realize that Paul's apartment overlooks the park... and is obviously more expensive than mine.
Appreciation for Subtle Aesthetics and Quality
Patrick Bateman
Look at that subtle off-white coloring; the tasteful thickness of it... Oh my God, it even has a watermark.
Concerns Over Expensive Sheets and Bleaching
Patrick Bateman
BLEACH-EE"? You trying to say "Bleach-ee"? Bleach-ee, oh my god. Two things. One: You can't bleach a Cerruti. Out of the question. Two: I can only get these sheets in Santa Fe and these are very expensive sheets and I need them clean by this afternoon!
Identity and Confession in American Psycho
Bateman
I did it, Carnes. I killed him. I'm Patrick Bateman. I chopped Allen's fucking head off. The whole message I left on your machine was true.
Carnes
Excuse me. I really must be going now.
Bateman
No! Listen! Don't you know who I am?! I'm not Davis, I'm Patrick Bateman! W-we talk on the phone all the time. Don't you recognize me? You're my lawyer. Now, Carnes, listen. Listen very, very carefully: I killed Paul Allen, and I liked it. I can't make myself any clearer.
Carnes
But that's simply not possible...and I don't find this funny anymore.
Bateman
It never was supposed to be! Why isn't it possible?
Carnes
It's just not.
Bateman
Why not, you stupid bastard?
Carnes
Because I had dinner with Paul Allen, twice, in London just ten days ago.
Bateman
No, you...didn't.
Carnes
Now if you'll excuse me.
[exits]
Addressing Global Issues Beyond Materialism
Bateman
Come on, Bryce. There are a lot more important problems than Sri Lanka to worry about.
Bryce
Like what?
Bateman
Well, we have to end apartheid for one. And slow down the nuclear arms race, stop terrorism and world hunger. We have to provide food and shelter for the homeless, and oppose racial discrimination and promote civil rights, while also promoting equal rights for women. We have to encourage a return to traditional moral values. Most importantly, we have to promote general social concern and less materialism in young people.