Moxons Mechanick Exercises or the Doctrine of HandyWorks Applied to the Art of Printing

Linked together by the texturality of forgotten objects and frayed or physically manipulated imprinted text images the film represents a thematic collapsing of distinct objects that further erases the bounds between image and text from meaning where recursive shifting of once seemingly separate entities become alternate presentations of a visible and invisible continuum a decontextualized mood piece where absence and emptiness become increasingly tactile an impression