Todo

Todo Everything gathers the impressions of the filmmaker in her new surroundings where she watches classifies and reorganizes everything that catches her eye From a place of curiosity and amazement she organizes an inventory of objects characters and situations A tireless flow of images of the popular the eccentric the traditional the new the beautiful and the ugly of the Matta Sur neighborhood of Santiago Chile An exercise of reflection on the destiny of images their accumulation classification and order modes of structuring the material and the filmmakers gaze